NO UPSETS, NO DRAMA
Unlike last year’s infamous broadcast, the 90th Annual Academy Awards went smoothly—and almost exactly as predicted—on Sunday night, with Guillermo del Toro’s fantastical romance The Shape of Water taking home a year-leading four trophies, including best picture. It was a ceremony filled with exceptionally well-labeled envelopes but free of any upsets, unless you were somehow found yourself overly invested in the short film categories.
That said, it was also a year of firsts. The Shape of Water became the only science-fiction film to win best picture, while Jordan Peele became the first black recipient of a best screenplay award. The other screenplay winner, 89-year-old James Ivory, is now the oldest recipient of a non-honorary Oscar. And the foreign-language Oscar went to Chile for the first time, for the groundbreaking transgender drama A Fantastic Woman. Less important, but a first nevertheless: Kobe Bryant is now the only NBA player to win an Oscar after picking up a trophy for his animated short.
Below, find a complete list of this year’s Oscar winners, followed by a look at how well experts and Metacritic users did with their Oscar predictions this year. You’ll also find reviews of the broadcast from a variety of TV critics.
THE WINNERS AND LOSERS
Listed below are the 2018 Academy Award winners in each of the 24 categories, compared to the consensus predictions of over 90 industry experts (more on that below).
Category | Predicted Winner | ACTUAL WINNER |
---|---|---|
Best Picture | (tie between The Shape of Water and Three Billboards Outside Ebbing, Missouri) | The Shape of Water |
Director | Guillermo del Toro The Shape of Water |
Guillermo del Toro The Shape of Water |
Lead Actress | Frances McDormand Three Billboards Outside Ebbing, Missouri |
Frances McDormand Three Billboards Outside Ebbing, Missouri |
Lead Actor | Gary Oldman Darkest Hour |
Gary Oldman Darkest Hour |
Supporting Actress | Allison Janney I, Tonya |
Allison Janney I, Tonya |
Supporting Actor | Sam Rockwell Three Billboards Outside Ebbing, Missouri |
Sam Rockwell Three Billboards Outside Ebbing, Missouri |
Original Screenplay | Jordan Peele Get Out |
Jordan Peele Get Out |
Adapted Screenplay | James Ivory Call Me by Your Name |
James Ivory Call Me by Your Name |
Animated Feature | Coco | Coco |
Documentary Feature | Faces Places | Icarus |
Foreign-Language Feature | A Fantastic Woman | A Fantastic Woman |
Animated Short | Dear Basketball | Dear Basketball |
Documentary Short | Edith + Eddie | Heaven Is a Traffic Jam on the 405 |
Live-Action Short | DeKalb Elementary | The Silent Child |
Original Score | Alexandre Desplat The Shape of Water |
Alexandre Desplat The Shape of Water |
Original Song | “Remember Me” Coco |
“Remember Me” from Coco |
Cinematography | Roger A. Deakins Blade Runner 2049 |
Roger A. Deakins Blade Runner 2049 |
Film Editing | Lee Smith Dunkirk |
Lee Smith Dunkirk |
Costume Design | Phantom Thread | Phantom Thread |
Makeup & Hairstyling | Darkest Hour | Darkest Hour |
Production Design | The Shape of Water | The Shape of Water |
Sound Editing | Dunkirk | Dunkirk |
Sound Mixing | Dunkirk | Dunkirk |
Visual Effects | War for the Planet of the Apes | Blade Runner 2049 |
HOW ACCURATE WERE THE PREDICTIONS?
Experts
As you can see above, our panel of 95 industry experts correctly forecast 19 of the 24 categories as a group. (We’re not counting best picture as a correct prediction, since there was no consensus pick from the experts.) That 79% accuracy rate is an improvement over last year, when the experts had just 17 correct picks (for a 67% success rate).
Three “experts” led the pack with 21 of 24 correct picks (for an 87.5% accuracy rate). That group included—for once—two actual experts in the form of The Playlist’s awards columnist Gregory Ellwood and Awards Circuit’s Clayton Davis. The other member of that top trio was ESPN’s Adnan Virk. Who performed the worst out of the experts making picks in all 24 categories? That would be The New Yorker film critic Richard Brody, who had just 11 correct picks (for a 46% success rate).
Metacritic users
As a group, Metacritic users had the same 79% success rate as the experts. But, once again, our top users outperformed the most accurate experts.
Leading the pack out of the over 5,500 Metacritic users submitting picks this year were
- one anonymous user (23 of 24 correct)
- Corey Caplan and Jack Henderson (22)
- 12 tied with (21), including Peter Booker, Ashley Chemtov, Jan Kip, Brennon Musso, Stephen Neky, Alan Ortiz, Shunzhi Rao, Andrew Sourvanos, and Alireza Tadibi
HOW WAS THE TELECAST?
How did Jimmy Kimmel do in his repeat appearance as Oscar host, and how was the nearly four-hour broadcast as a whole? Below are selections from TV critics’ assessments of this year’s Oscars (in no particular order); click any link to read the full review.
Indiewire Ben Travers
Kimmel just didn’t belong at the center of this celebration. It’s not his fault, even if it did feel like the perfect time for him to hand off hosting duties — or at least the monologue — to a woman, dreamer, person of color, or anyone else who truly needed to be heard and seen on Oscar night. … That being said, Kimmel’s monologue worked best when he was sincere.
CNN Brian Lowry
The Oscars are a big, unwieldy beast, which invariably try to serve too many masters. Yet if the intent was ultimately to maintain a celebratory tone without ignoring either the outside world or the elephant in the room throughout this year’s awards, host Jimmy Kimmel and the show itself largely succeeded.
The Washington Post Hank Stuever
In his second year, Kimmel has shown that the telecast needn’t be anything but sharp and sure, with a funny host whose bits are manageable, shareable and — best of all — forgotten. We’re not making showbiz history here; we’re just trying to get through another Oscar night.
Variety Maureen Ryan
All things considered, the show had a more or less low-key vibe. Normally it takes about two hours for the numbing effect to set in, but despite host Jimmy Kimmel’s best efforts, Sunday’s telecast started to feel a bit languid and low-energy far earlier.
Yahoo! Ken Tucker
A month ago, I said that the best thing Kimmel could have done was announce he was stepping aside to let a woman host this year’s Oscars. He chose not to do that, and ended up much like the statue of the Oscar he made fun of for having no reproductive organ: It was a eunuch’s performance.
San Francisco Chronicle David Wiegand
Even the hope that the noise of clapping might keep the audience at home and in the theater awake, there was little of that for anything except the entrance of actors of advance age.
Deadline Greg Evans
Did the nearly four-hour running time contain any moments for the Oscar ages? Probably not.
Time Daniel D’Addario
The fundamentals of the ceremony, despite dashes of energy that felt risky and daring, had changed little even as the industry the ceremony honored had begun to change a lot. Jimmy Kimmel—who’d seemed outmatched last year by an envelope mix-up before the evening’s most anticipated award—had months to prepare for a show in the wake of the culture-shaking Harvey Weinstein revelations. And he seemed to have spent those months brainstorming how not to address anything at all.
Vanity Fair Richard Lawson
As a host, Kimmel struck a careful, appropriately measured tone … All told, Sunday’s ceremony did an admirable job of recognizing all the turmoil surrounding it while maintaining the silly, chintzy trappings that so many of us tune into the Oscars for. Both cloying and clever, gassy and game-faced, these Academy Awards did the best they could to address difficult things, short of canceling the whole thing and airing some kind of P.S.A. Awards shows are not the best events to turn to for sharp, complicated discourse.
NPR Linda Holmes
The broadcast itself seemed as tame as the winners’ list.
The Oregonian Kristi Turnquist
Was it respectful? Absolutely. Did it make for kind of a dull, earnest Oscars show. Yeah, kind of.
The Hollywood Reporter Daniel Fienberg
How did Kimmel do overall? With the exception of the theater stunt and two unnecessary toss-off Matt Damon jokes — Kimmel really can’t resist — I thought he was good, probably even better than last year. The monologue wasn’t spectacular, but he was more present throughout the show than some hosts tend to be, perhaps because an astounding amount of filler time was built in.
Vulture David Edelstein
This was the best, most inspiring, and most sheerly likable Academy Awards telecast I’ve ever seen. … It was also — in terms of the actual awards — among the most disappointing.
Gold Derby Tony Ruiz
Thanks to a superb sophomore hosting job by Jimmy Kimmel and a significant nostalgia factor, this year’s Oscar ceremony was a well-paced celebration of the best of Hollywood.